Lucy Farrell – The Interview

There’s a growing sense that 2018 may be the Year of Lucy Farrell – the year that the perennial band-member and session musician steps out from the sidelights and takes centre stage. If that’s the case, it has been some time in coming. Lucy has been a very sturdy cog in the traditional folk machine for a good while, notably as a member of the Johnny Kearney & Lucy Farrell duo, The Emily Portman Trio, The Coracle Band, Eliza Carthy’s Wayward Band, and the award-winning Furrow Collective. Her viola, vocal and saw (yes, saw) skills are in great demand, which […]

Laura Smyth & Ted Kemp – The Interview

There’s an understandable worry in the traditional folk world that there may not be enough enthusiasts among the younger generation to take the baton and keep things going. The generation that lived through the 50s and 60s Revival appears to have had folk lovers a-plenty, but despite specialist university courses at places like Sheffield and Newcastle, the generation currently in their 20s and 30s feels sparsely populated by comparison. 

Jack Rutter – The Interview

Meet Jack Rutter: folk singer, multi-instrumentalist extraordinaire, and – as you’ll see – man who frets over things like ‘best before’ dates. I mention this point up front because I think it might give you a sense of who you’re going to read about – a gentle, humble, loveable fellow that I had the pleasure of hosting when he played at Whitchurch Folk Club in November.

Normafest 2018: Eliza Carthy gives us the lowdown

Ahead of Normafest 2018, I chatted with Eliza Carthy about the festival’s history, the lineup for the coming event, the where to goes and what to knows. Along the way she chatted openly about her mother’s illness, the importance of the Bright Phoebus album, the contraband on sale in pubs around Robin Hood’s Bay, the new Gift Band album, a forthcoming and very exciting tour, and why Norma Waterson was once seen carrying a platypus on a board. Just a typical conversation with Eliza Carthy, then.  

Ian A Anderson: the Interview

There are, as most of you will know, at least two Ian Andersons connected with music from the late 60s onwards. The one we are concerned with for the purposes of today’s interview is not known for his legs (as far as I’m aware), but has been known to give the occasional leg up (my sincere apologies – I’ll stop now) to upcoming musicians on the folk scene.

The Greenland Whale Fishery | Folk from the Attic

Fresh from my Steve Roud interview, having learnt that the folk singer is an entirely modern construct, today I found myself itching to get my guitar out and dive into an old sea shanty. Let’s be clear, though: while this is some kind of performance of ‘The Greenland Whale Fishery’, it doesn’t in any way bear any resemblance to the original ‘Greenland Whale Fishery’ [Roud 347]. Nor can I claim to be a folk singer. In fact, it’s probably best that you – the reader – limit yourself to thinking that this isn’t really a performance at all. More a […]

What is folk music, exactly? An interview with Steve Roud

Over the eight months I’ve been running this blog, I have – because it genuinely interests me – repeatedly asked interviewees for their folk music definition. It hasn’t been terribly easy, to be honest with you. Some react well, clearly delighted to be asked the very question they’ve been secretly pondering for years themselves, while others insist it’s a pointless task and seem rather put out to have been bothered by something so apparently trivial. 

Andy Bell: Chatting with a folk producer in demand

If you’re a fan of the contemporary folk scene, the chances are that you’ve been listening to Andy Bell’s work for some time. A kind of unsung hero, he has been working with some of the genre’s biggest artists for a decade or more, and his relatively new label – Hudson Records – is home to The Furrow Collective, Jon Boden, The Transports and an ever-growing roster of well-loved artists.