Every folk fingerpicking guitarist longs to make a raw, naked, warts-and-all album at some point in their career – an album of single takes with zero overdubs that showcases their extraordinary talents, while at the same time worming their way into their listeners’ affections enough to entice them back again and again for the songs as much as the wizardry. It’s a tall order; very few manage it, and yet here comes young Jack Rutter with his debut solo collection, Hills, ticking nearly all of the boxes at the first attempt. In fact, the only box he seems to have missed […]
Most fans assumed it couldn’t happen, but this morning Marry Waterson announced the re-release of a true classic: Bright Phoebus – Songs by Lal and Mike Waterson will see the light of day once again on August 4th (and can be pre-ordered in a variety of packages here).
This is how folk music should be heard.
There’s a sense among reviewers of Big Machine, Eliza Carthy’s new album on Topic Records, that this collection marks the artist’s coming of age moment. I’m not sure how she must feel about that herself. I imagine she’s lost count of the number of times people have said that of her latest albums over the years. From Anglicana through Dreams of Breathing Underwater and ever-onward, Eliza Carthy must’ve come of age more times than her years naturally allow.
Normafest 2017 took place at Whitby Pavilion, January 6-8, 2017. Sadly, Norma Waterson was too ill to attend, as was guest star, Richard Hawley. However, those that did make it were in rude health, the excesses of New Year already a distant memory.